Welcome to my life.

I'm a self-avowed WordPress Whisperer with a specialization in front-end design. I live in Maryland. I take lovely photos, go to the gym a lot, and opine strongly over design, aesthetics, and politics. I'm prolific on Twitter; I used to post to Flickr; I have a moblog and in my spare time I help out at the SemperFi WP Support forums. Read more about me.

A lingering mystery

Luna di Luna 60/40 Chardonnay and Pinot Grigio Venetian table wine.

Luna di Luna 60/40 Chardonnay and Pinot Grigio Venetian table wine.

I have always been suspicious of blended wines. I know of two types: those made separately and bottled together, and those made of a blend of two (or more) varietals fermented together. I know the latter is more commonplace and the former I have only heard of as an Australian thing (with horrendous results).

It was with this pensiveness that I approached the bottle of 2003 Luna Di Luna 60/40 Chardonnay and Pinot Grigio: a wine picked out in a rush at the store by a lady friend of mine, primarily because of the cool looking cobalt blue bottle and the garishly dressed woman on the label.

It has nary a bouquet to speak of, just an overwhelming sense of cleanness and sharpness without dryness, like a swimming pool in the morning before the chlorine gets thrown in. Searching for some sort of substance (dammit, the Pinot Grigio should at least have given it something) I took my first sip.

Like most white wines, alas, it was predictably… white. It was quite dry; lovers of even the drier Rieslings may not like this. Still, the experience of it in my mouth was just strange. I thought to myself, too clean; there has got to be a catch.

The swallow came with the biggest surprise. As it left my mouth, there was a flourish—a flourish—of salty saliva building in my mouth. It was weird, mainly because I’ve always associated salty spit buildup with impending vomiting. After a few hurried and curious gulps, and after passing it on to a few other friends of mine, the feedback has been consistent: it comes in clean and almost innocuous, and has a salty finish.

In a more cynical period in my life I would have recommended the 2003 Luna Di Luna 60/40 Chardonnay and Pinot Grigio Venetian table wine to anyone curious about the experience of drinking urine. Instead I’ll just say that it is quite reminiscent of seawater, like a morning on a windswept beach. This wine is, ultimately, a mystery I might never understand; I have no intention of shelling out nine dollars for it again.

A primer on my wine reviews

Am empty bottle of wine and a glass.

Am empty bottle of wine and a glass. Remnants of a great night of drinking.

“…Hints of green peppercorns, black coffee and the mild aroma of geriatric sweat.” I just hate describing wines that way; and the wines descibed that way, I tend to hate too.

I am not, and I don’t intend to be, a wine connoisseur. If you asked me today what the differences between the different grape varieties used in wine, I can tell you that I don’t know the difference between a Chardonnay and a Pinot Grigio from a technical standpoint, but I can tell you that I like my Pinot Grigio more than most Chardonnays I’ve had.

After deciding to quit drinking hard liquor and beer except for when I’m out to the bar, I find that wine provides me with a great drinking experience, a decent buzz and no awful aftereffects the morning after. I can’t say the same of vodka, for example, which I can’t have more than a few shots without feeling a generalized weakness in my extremities. Neither can I speak that way of beer, despite having almost every major macrobrew shoved down my throat like American heartland camel piss. Not even the deliciously complex microbrews from stouts to ales can deny the simply fact that because of the hops used in brewing beer, beer is basically bitter.

(And before I leave the topic of beer altogether, I will still have a bottle or two of Magic Hat #9, whose hints of apricots make for a lovely summer afternoon drink on the outside porch of a great friend, while smoking a cigarette—Marlboro mediums, yo—and simply bullshitting about life. It’s certainly a great beer for friendship’s sake.)

Given that my knowledge of wine is next to nothing, I think I can actually write about wine with a different perspective from other erudite writers and drinkers. I’d like to describe more about how I plan to do it, but most of my reviews will focus on the experience of the wine itself, of what went well with it, of the sensations I experience from it.

I’ll be back soon with the first of my reviews.

Something esoteric

A blue lightbulb over the USS Intrepid.

A blue lightbulb over the USS Intrepid.

I’ve taken my time getting back to writing about apolitical things as I am finishing up on a long-overdue project of mine that simply needs to get done. With the schedule I hold, it’s almost impossible to write anything of great length on my site.

In a way, this is what I want to start the year with, though. I want to detox my site, even by a little bit. I am still up to date on my current events and I still visit the blogs on my reading list whenever I can get to it, but nowadays I just don’t feel like reacting to much of what I read anymore.

The truth is, there’s just so much that I want to write about, including all the wine I have had over the past two months, the food, the TV shows, the goodies I’ve bought…

Just as the photo above of a blue lightbulb threaded on a wire over the USS Intrepid counts as one of the more esoteric of my work, I will be moving towards something a bit more esoteric writing-wise, at least relative to what I have focused on in the past and what a lot of my political blogging peers have been busy over.

NYC: The lovers in Central Park

Against a backdrop of the bright NYC skyline, a couple takes a picture of themselves.

Against a backdrop of the bright NYC skyline, a couple takes a picture of themselves.

Looking through the pictures I have taken in my trip to New York, I realized that my voyeuristic photography didn’t start at the USS Intrepid, but in Central Park, where I took this most candid and most spontaneous of shots. The timing of the photo—as the autofocus light on their camera illuminated their faces—was serendipity given life.

On a technical level this may not even be a good photo, but the more I have looked at it the more it has grown to be one of my favorites.

NYC: Weird photographic fetish

A tourist prepares for a shot of the city in front of a Blackbird.

A tourist prepares for a shot of the city in front of a Blackbird.

On New Year’s day itself, we went to the USS Intrepid museum; it was one of the places my friend absolutely had to go to, and I like going to military exhibits.

I have been to plenty of museums in my life and the one offputting thing I find about them is that they can be quite sterile. Military exhibits are no different, but the lifelike displays of people help soften the edges a bit. It was while we were perusing the exhibits (and slowly getting over a minor camera equipment hullaballo that totally pissed me off for the better part of half an hour) that I discovered a near-perverse fascination with other photographers: almost all of the shots I took at the USS Intrepid involved people photographing the exhibits or each other. Above is one, I’ll be posting more soon.

NYC: Emotional Chiaroscuro

The NYC skyline as seen from Central Park.

The NYC skyline as seen from Central Park.

I had no intention of blogging while I spent the New Year’s weekend in NYC; with what little time we had, there was no time to blog. Coming out of the Port Authority I was flooded with a sensation both alien and familiar. It was like being back in the most urban of places in the Philippines, only on a scale whose enormity was overwhelming.

It is this setting that makes the kindness of strangers in seemingly mundane circumstances transfigure into little miracles. The anthology of little New York Miracles would seem almost banal (and I say this without trying to detract from the genuine kindness in both cases) should they have happened anywhere else.

The contrast between the grinding gears of the city and the brightest moments of humanity are a living chiaroscuro: framed by the darkness, the light seems only ever brighter. I have seen this before, and if there is one thing that I will forever take with me from my first visit to NYC it is the reacquantaince with that feeling and perspective, finally unearthed after four years of suburban living.

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