Welcome to my life.

I'm a self-avowed WordPress Whisperer with a specialization in front-end design. I live in Maryland. I take lovely photos, go to the gym a lot, and opine strongly over design, aesthetics, and politics. I'm prolific on Twitter; I used to post to Flickr; I have a moblog and in my spare time I help out at the SemperFi WP Support forums. Read more about me.

“Adrift”

Torchwood, Season 2, episode eleven: I am very picky of the shows that I watch, and while this series usually entertains me, this time it sorta kinda pushed the envelope a little bit too damn far.

That’s fifty minutes of my life I wish I didn’t spend watching this episode. Not after that scream.

Chris Chibnall, go to hell. You can take whoever produced that episode with you.

I locked up the sidebar and threw away the key

It was all clutter to me.

The sound of an old fart grumbling

I remember getting my feet wet with blogging back in late 2002. Oh boy, were those the days: the politics, the blogfights, the blocky but groundbreaking methods with which CSS was used to finally make the web a little easier to design. I’ve been around since b2, and I’ve seen the way the designs for WordPress has changed a great deal.

Part of it is the technological aspect: back then a screen resolution of 1024 pixels wide was uncommon; at least I wasn’t restricted to the so-called “web-safe” palette. Now we have widescreen monitors, though I know plenty of Windows users who have not kicked the habit of maximizing their browser windows. It’s a pain for flexible designs without a max-width (or for users on Internet Explorer). Broadband penetration, though low in America compared to the rest of the world, has aided in the development of graphics-rich themes. Sadly, I have seen the WordPress realm suffer from what I refer to as the Garage Effect: the bigger the garage, the more shit gets stuck in it.

After reading Theme Shaper’s The Future Of WordPress Themes, I’ve realized just how out of the loop I have been with WordPress. I don’t regret it, though: much of my time has been spent on other things that have enriched my life. Now, I don’t mean to accuse anyone blogging and designing themes as not having a life, but it wasn’t for me. I did release for general use a modified version of Dave Shea’s pea- (or was it puke-) green “classic” design for WordPress before Kubrick took over in v1.5. Cool blues, warm gold: it was a minor hit, and blogsome (bless their hearts) and their other multi-user environment, blogs.ie still stock that design and quite a few users still have it. But something I have sworn I will not do is release an actualized, capital-T WordPress Theme for general consumption. My background in graphic design—since I was eleven—has in me ingrained the importance of a customized look for a customer. Having released the Jaws (blue) “theme” to the general public, I decided that that was the extent of my contribution. It would break my heart to build a WordPress theme “for everyone” only to find it picked apart and modified and twisted to serve someone else’s means.

Seriously: how hard is it to grab the Classic Theme skeleton, modify it yourself and make your own look? My current Anthem Of Our Dying Days theme is still based on Classic. If you have the mad skillz to muck up someone’s WP Theme into this… this… derivative thing, then Christ just grab some code snippets and make one for yourself. You’d be much happier knowing your site is nowhere near a sibling under the same bitch, ya? I am proud to say that most of the few sites I have designed over the years have remained virtually unchanged. Meryl‘s Press Pass theme has been there since, when? Crap I don’t even remember. And I am glad to say that no other blog design by my hand has even a remotely similar banner, or look. Why? Because I took my damn time to find out exactly what she needs with her site.

So it does leave me to wonder: with a whole subcommunity of “Premium” Theme makers out there, whose products sell between twenty to two hundred bucks (or more), do their buyers actually feel any sort of satisfaction to what they have? I don’t even want to start on the kind of content that’s been decreasing the signal-to-noise ratio over the past years. I just wonder how someone who got this Premium Theme might feel after seeing someone else with it.

If graphic design is a means of communication that enhances the power of the printed word, then just how much enhancement does your printed word get out of a design meant for use by many? Anthem Of Our Dying Days is not a perfectly designed design either: I think that my line heights are too tight for the kind of line lengths that I have, for example. But I know that the design works for me, it works for what few readers I have and I know that unless someone blatantly copied my CSS, it’s mine and all mine alone.

That said, in this day and age of hundreds upon hundreds of millions of blogs (did I get that number right?) the content of a blog isn’t just determined by how well it is written. It is determined by how many take the message, how much of a ripple it can make, or how many more are affected by it. Perhaps “cookie-cutter” themes aren’t as bad: they take away the need for someone to produce (or to pay someone to do so) a look that would work with their content. The focus could stay on the content being produced.

And that, taken to its bare roots, is what blogging has always been, still is, and will always be about.

That show with the unwieldly title

I have to say that of the new shows that came out this past fall season, Terminator: The Sarah Connor Chronicles has got to be my favorite.

Sure, it features a John Connor who’s yet to grow his own fangs, but all together the show boasts of a solid storyline, above average acting (River Tam reappears under the name Cameron Phillips, conveniently played by the same actress), and enough action to make satisfy my taste, at the very least.

The incidental music—I love the term, mind you, opposed to “soundtrack”—is for me one of the most remarkable features of every episode. It really puts every situation in the proper mood, and it makes Mommy Connor’s profound babblings actually enjoyable to listen to.

One detail that I have jumped on that I haven’t googled about is the use of Chopin in some scenes. Derek Reese was taken into the  mysterious room with that music playing, and he came out completely out of it. I’m not sure, but that look was one of someone who would have been weeping, if they were emotionally capable of doing so. I think he saw a recorded memory of Cameron’s ballet practice in her bedroom, which was shown in The Demon Hand.

The show itself is rife with enough temporal paradoxes to make your head spin, and that in itself is part of the fun of the whole show, too. I look forward to Season 2, whose production has been confirmed.

Archives

Monthly

Categories